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T h e E s a J a s k e C o l l e c t i o n Inquiries: akunabay
(at) yahoo.com.au |
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T
h e E s a J a s k e C o l l e
c t i o n All artworks
in the collection
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Untitled |
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Red & White Picture
II |
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Negress from "Sheherazade" |
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Negre d'or "Sheherazade" |
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Two Bacchantes from
"Narcisse" |
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Exhibition Catalogue:
Lineage of Light: Reading Wheels |
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Exhibition Catalogue:
Lineage of Light: Reading Wheels |
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100 Views of Tokyo 30 x 22 cm |
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100 Views of Tokyo
13 selected linocuts Volume 2 Artist Book 1998, linocuts on Japanese paper Edition 1/3 30 x 22 cm |
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Lockhart Map 2 Exhibited: |
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Lockhart Map 4 Exhibited: |
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The Bad Mother LB: "The milk comes
down the breast and falls on the floor, helping nobody (unless there
is a cat). |
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The Origin of the Coconut 1997, oil on linen Exhibited at solo show The Idea: Ocean at Watters Gallery 1997,and at Bramley-Moore survey show Tuesdays and Thursdays, Brisbane City Gallery 2002. |
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I swim with the Sharks 1997, oil on linen Exhibited at solo show The Idea: Ocean at Watters Gallery 1997,and at Bramley-Moore survey show Tuesdays and Thursdays, Brisbane City Gallery 2002. |
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Sargasso Sea 1998, oil and acrylic on wood & linen Watters Gallery, 1998 |
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South Bank 2001, oil on linen |
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Morning 2001, oil on linen |
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Liner 2001, oil on linen |
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Brisbane 1999, ink, pencil, graphite and gouache
on paper |
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Screen 1995, gouache and pencil on paper |
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Le vélo volé du curé Series: Suites françaises 2 1999, c-type photograph edition 1/6 This print exhibited at 2006 Biennale of Sydney (Artspace), at PhotoEspaña 2002 (EB solo show at Real Jardin Botánico, Madrid, opened by Queen Sofia of Spain), and at Kunsthalle Wien, Austria, in 2000. |
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Le lit pour rêver et pour mes nuits de tendresse Series: Suites françaises 2 1999, c-type photograph edition 2/6 This print exhibited at 2006 Biennale of Sydney. |
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L'Artiste et son modele Series: The New Painting 2002, c-type photograph edition 5/6 |
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Joy 1998, c-type photographs |
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Untitled |
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Gerberas
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The Piano #2
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Pascal and DJ Hype -
Hackney
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Paul
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Female |
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Memory 4 |
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Boy, am I scared |
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Boy, am I in love |
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Boy, do I have doubts |
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Untitled (Thread Drawing) 2001, handknitted threads laminated in
glass, 30 x 20 cm |
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Gulfoss - Iceland |
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Masking
Motions 1-4 |
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Czerwona Szarfa (Red Sash) |
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Talmudic Highway - in memory of Tadeusz
Borowski |
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 (Image 1/5) |
The Man of Sorrows 1992, linocut, A/P
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 (Image 2/5) |
The Broken Man 1992, linocut, A/P
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 (Image 3/5) |
The Man Who Could Not Face The Day 1992, linocut, A/P
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 (Image 4/5) |
The Warrior 1992, linocut, A/P
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 (Image 5/5) |
The Grieving Boy 1992, linocut, A/P
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The Fools Compendium |
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Wordsmith 1992, 3 parts, linocut, printed press,
3/10 |
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The World Turned 1993, linocut, printed press, 3/10 |
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Untitled sketch, signed
'DF', ink on paper, 14 x 19 cm |
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Station and Trees, Denistone
II |
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An invisible place made manifest 2001, oil on canvas Reproduced in 'JAMES GLEESON DRAWINGS
FOR PAINTINGS', ISBN 0 7347 6340 9, by Hendrik Kolenberg and Anne Ryan,
Art Gallery of New South Wales, 2003, page 123. |
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Half Way Across Lake
Ladoga Exhibited: 1998 Bellas Gallery,
Brisbane |
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Ghost Wall 3 Exhibited: 1998 Gitte Weise Gallery, Sydney |
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Low Tide Sand Lines
1 Exhibited: 1999 On
Any Given Day Bundaberg Arts Centre |
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Low Tide Sand Lines
2 Exhibited: 1999 On
Any Given Day Bundaberg Arts Centre |
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Dust Exhibited: 2001 That was
Now, This is Then, Gitte Weise Gallery, Sydney |
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Diamond Painting,
White Gitte Weise Gallery, Sydney |
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Diamond Painting,
Black Gitte Weise Gallery, Sydney |
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Diamond Painting,
Black Gitte Weise Gallery, Sydney |
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Diamond Painting,
White Gitte Weise Gallery, Sydney |
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Untitled Gitte Weise Gallery, Sydney |
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Untitled Gitte Weise Gallery, Sydney |
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Oscar with the Striped
Gene |
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Oh, So 2006, Blue-tak, superglue, plastic +
adhesive on paper |
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Can I Get a Witness 2005, Mixed media on paper |
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The Road Is Long 2005, Mixed media on paper |
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Photos Only Cost $2 2005, Mixed media on paper |
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Hey Robots 2005, Mixed media on paper |
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Like David Suzuki 2005, Mixed media on paper |
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Why Don't We Talk 2005, Mixed media on paper |
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Untitled |
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Untitled Legge Gallery, Sydney |
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A Sunny Day |
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Two Boys Aged 23 or
24 |
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In a Farm - II |
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Gold in the Morning |
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Nocne manewry lapaczy psow (Dogcatchers'
Night Maneuvers) |
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Love Letter 1997, etching A/P |
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Untitled |
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Untitled 1991, mixed media |
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Untitled |
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Get-Back-1-Y (Tulip) |
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Tokkuri (Sake bottle) |
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Guinomi (Sake cup) |
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Edgecombe Avenue, Pleasant Plains. Staten Island, NY From 'Cows in New York City' series. |
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Boy with a snowball |
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Bush Full of Cats |
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Four Bedroom Home Exhibited: 2001 Legge Gallery,
Sydney (01-19-004) |
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Still Life 2000, oil on board Exhibited Legge Gallery 2000, |
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Explosive Still Life 2001, oil on canvas Exhibited Legge Gallery 2001, |
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Vessel at Ground Zero 2002, oil acrylic enamel on board Exhibited Legge Gallery 2002, |
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Our Gods |
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Two Women Dreaming -
Kungka Kutjarra |
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Untitled |
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Early Morning |
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Untitled 1987, lithograph, 60 x 90 cm, edition 29/100 |
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Responsetime (Yellow) |
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Putative Intention |
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Littorals Reference: John Olsen: My
Complete Graphics 1957-1979, |
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Squinters |
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Niewidomi
erotomani (Blind Sex Maniacs) |
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Ngandanji |
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Balance
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S'LADY B - TRACES B |
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Beijing Villas 1 Series Exhibited: 2004 still
(between), Esa Jaske Gallery, Sydney |
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Beijing Villas 1 Series Exhibited: 2004 still
(between), Esa Jaske Gallery, Sydney |
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Untitled |
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Untitled |
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Untitled 1950's, ink on paper Watters Gallery, 1998 |
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Figure from above c. 1960, ink on paper Watters Gallery, 2002 |
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Head Shape Early 1960's, pen, ink and wash on paper Watters Gallery, 2000 |
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Mirrored World II |
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Infinite Nostalgia of a Heartbeat 2000, site specific wall drawing, pigment ink, steel, copper, aluminium assemblage Exhibited: |
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Monument to the Sadness of Himself 1993, acrylic on panel, |
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Apodyterium-Self-Portrait with Stripped-Down Youth 1991, acrylic on panel, |
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Nocturnal Emission 1995, acrylic on panel, |
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The Book of Stairs 2002, acrylic, nickel piano-hinge, wood,
book object presented 17 x 12 x 12 cm. Exhibited: 2002 The Great Library, Room
35, Sydney. |
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Migrating Bird Dashed against the Glass Dome of a Lighthouse 1994, ink on paper, 23 x 16.25 cm Exhibited: 1997 Dichter-Zeichner, Room
35, Sydney. |
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Grotesque Profile of a Man with Helmet, 1994, ink on paper, |
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Landscape with Two Palms 1990, ink on paper. |
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Francis Goes to Mexico 1990, ink on paper. |
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Youth on the Trapeze as Viewed from the Ring 1992, ink on paper |
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Youth on the Tight-rope 1992, ink on paper |
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The Descent 1992, ink on paper |
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Waiting for Ships That Never Come In 1992, ink on paper |
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Battle-Fish Malfunction 1992, ink on paper |
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Page from ‘The Book of Cyclopic Heros’ 2002, ink, pencil, acrylic, gesso on
panel, 18 x 26 cm. Exhibited: 2002 The Great Library, Room 35, Sydney. |
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Bird, Plane, Letter O 2001, ink on paper |
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Page from ‘The Book of Monoliths’ 2001, ink, pencil, acrylic, gesso on
panel, Exhibited: 2002 The Great Library, Room 35, Sydney. |
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The Great Mystery of a City Collaborative drawing with Joe Frost, Exhibited: 1993 A Gentleman's Fancies, Room 35. |
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Ceramic stoneware, height 33 cm |
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Ceramic stoneware, height 27cm |
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Jari
Silomäki 2004, chromogenic colour print mounted
on aluminium, edition 1/10, 28 x 28 cm |
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Jari
Silomäki 2004, chromogenic colour print mounted on aluminium, edition 1/10, 28 x 28 cm Exhibited: 2004 Esa Jaske Gallery |
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Jari
Silomäki 2004, chromogenic colour print mounted on aluminium, edition 1/10, 28 x 28 cm Exhibited: 2004 Esa Jaske Gallery |
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Jari
Silomäki 2004, chromogenic colour print mounted on aluminium, edition 1/10, 28 x 28 cm Exhibited: 2004 Esa Jaske Gallery |
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Jari
Silomäki 2004, chromogenic colour print mounted on aluminium, edition 1/10, 28 x 28 cm Exhibited: 2004 Esa Jaske Gallery |
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Jari
Silomäki 2004, chromogenic colour print mounted on aluminium, edition 1/10, 28 x 28 cm Exhibited: 2004 Esa Jaske Gallery |
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Jari
Silomäki 2004, chromogenic colour print mounted on aluminium, edition 1/10, 28 x 28 cm Exhibited: 2004 Esa Jaske Gallery |
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Jari
Silomäki 2004, chromogenic colour print mounted on aluminium, edition 1/10, 28 x 28 cm Exhibited: 2004 Esa Jaske Gallery |
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Jari
Silomäki 2004, chromogenic colour print mounted on aluminium, edition 1/10, 28 x 28 cm Exhibited: 2004 Esa Jaske Gallery |
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Jari
Silomäki 2004, chromogenic colour print mounted on aluminium, edition 1/10, 28 x 28 cm Exhibited: 2004 Esa Jaske Gallery |
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Jari
Silomäki 2004, chromogenic colour print mounted on aluminium, edition 1/10, 28 x 28 cm Exhibited: 2004 Esa Jaske Gallery |
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Jari
Silomäki 2004, chromogenic colour print mounted on aluminium, edition 1/10, 28 x 28 cm Exhibited: 2004 Esa Jaske Gallery |
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Jari
Silomäki 2004, chromogenic colour print mounted on aluminium, edition 1/10, 28 x 28 cm Exhibited: 2004 Esa Jaske Gallery |
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Jari
Silomäki 2004, chromogenic colour print mounted on aluminium, edition 1/10, 28 x 28 cm Exhibited: 2004 Esa Jaske Gallery |
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Jari
Silomäki 2004, chromogenic colour print mounted on aluminium, edition 1/10, 28 x 28 cm Exhibited: 2004 Esa Jaske Gallery |
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Jari
Silomäki 2004, chromogenic colour print mounted on aluminium, edition 1/10, 28 x 28 cm Exhibited: 2004 Esa Jaske Gallery |
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Paddy
Japaljarri Sims 2000, etching, 18.5 x 8.1 cm, edition 45/75 Warlukurlangu Artists Aboriginal Association The Possum was an old man who was all alone. He was alone at a swamp east of Yuendumu called Parrarlpanturnu. While he was there Dawn Dreaming appeared. Day appeared to him as he sat all alone near the swamp called Parrarlpanturnu (Place of the Dawn). He had come from Yakurdiyi, a soakage just east of Yuendumu. |
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Krzysztof
Skorczewski |
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Penny
Smith |
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Arryn
Snowball Exhibited: 2004 Indeterminate,
Esa Jaske Gallery, Sydney |
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George
Soutter |
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Paddy
Japaljarry Stewart 2000, etching, 18.2 x 7 cm, edition 41/75 Warlukurlangu Artists Aboriginal Association Depicted here as the long curved lines are wirmpa (lightening) and mungkurdu (clouds). |
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Paddy
Japaljarry Stewart 2000, etching, 18.2 x 6.8 cm, edition 42/75 Warlukurlangu Artists Aboriginal Association Then the battle started, they fought with axes, travelling off to the south. At the place they started fighting there are rocky hills. They fought with karli (boomerangs) and warlkurru (axes). The men buried the axes when they had finished with them. At this place there is now a big rockhole. There are many rockholes there from all the axes the old men buried. There is also a sandhill called Kankarlarra. The weapons of this Jukurrpa turned into Desert oaks which grow in that sandhill country. The men that fought were Japaljarris and Japangardis. Those old men turned into birds - falcons, hawks and kites. |
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Paddy
Japaljarry Stewart 2000, etching, 18.5 x 7.3 cm, edition 42/75 Warlukurlangu Artists Aboriginal Association Also depiected in this etching is the Warlawurru Jukurrpa. This wedge-tailed eagle is from Wakurlpa, just north of Yuendumu. The eagle came there from Ngatiri, further to the north. The main concentric circle represents ngurlu (seed), the long lines that extend from here are jalyirrpa (branches). The 'U' shapes represent women and the small dashes are their karlangu (digging sticks). The small circles at the bottom of the door represent ngipiri (eggs). |
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Natalie
Stonestreet |
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Unknown 1998, watercolor, ink, graphite
on paper Acquired at a community art fair, Mosman, Sydney. |
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Dariusz
Vasina |
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Katarina
Vesterberg 2003, oil on canvas |
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Walangkura
Napanangka |
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Carl
Warner 2004, Lambda print |
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Carl
Warner 2003, C-type Photograph |
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Ken
Whisson 1986-89, oil on canvas Exhibited at a touring solo show Ken
Whisson A Survey at Pinacotheca Gallery Melbourne, Shepparton
Art Gallery Shepparton, Ballarat Fine Art Gallery Ballarat and Geelong
Art Gallery Geelong, 1990. Reproduced: Ken Whisson A Survey catalogue, plate 34.
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Ken
Whisson 1996, pen and ink on paper Exhibited at Ken Whisson solo show Ken Whisson, Paintings and Drawings at Richard Salmon Gallery, London, May to July 1997, and at Watters Gallery 1999. |
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Wang
Yuping 1998, acrylic, ink, oil pastel on paper,
109 x 79 cm |
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Chinese |
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Chinese |
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Nepalese |
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(ill. back and front)|
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T
h e E
s a J a s k e C o l l e c t i o n |